thatfrenchhelper:

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When creating a character, there’s a lot of questions you ask yourself. Whether it’s an original character or one you’ve been playing for a long time, using a character sheet to get to know your character better can always be a nice idea. With it’s help, you’ll be able to think about things you didn’t necesarily thought about, and ask some important questions to yourself that might activate your character’s voice, or help you to get your muse back with them. Everyone has their favorite character sheets, some people prefer to have a lot of questions, some others like it a bit more vague, so here’s a masterlist of the character sheets I found on various websites and found quite interesting, plus some other things that could be used to help you see, for example, how other character view yours. 

With these sheets, you could also try to find your character’s Jung and Enneagram Type or use the Moral Alignment tool. All of these things can be really useful to get a better grip on a character.

Then, if you’re trying to create a character, and do not have many ideas, or get stuck, I’d suggest for you to roam around TVTropes, which gives you a lot of tropes used for character creation. Maybe you could try to mix a few of these and create an original character?

Or, if you’re a skillful writer and know how to make your character different from another, make a list of characters in fiction you happen to find interesting and why. Try to keep it short. Then, maybe, try to mix and match things from two or three characters, take a character and change their backstory, to see what would change. Play with them to inspire yourself and create something new, original and truly yours.

Oh, and here’s a little guide to Mary-Sues and OCs, just in case you want to make sure your character isn’t going to become a Mary-Sue or a Gary-Stu

And last but not least, this article about building fictional character definitely seemed interesting to me, and is full of many other links that could guide you during the creating of your character and help you file one of these sheets.

mark-gaytits:

Some resources for those writing medieval-type stories:

art-and-sterf:

pulpofiction:

writing a kiss, tips for everybody

  1. whatever the hell you’re doing with tongue, stop
  2. invade, fight for dominance, and wrestle are literally the worst descriptors ever in the whole entire world of talking about kissing
  3. tongues do not roam and they do not go exploring they are like TIDES they come forward a little bit and then maybe recede a little bit EVEN IN FRENCHING
  4. most kissing action actually happens with the lips GO FIGURE??
  5. kissing is really awkward you get noses bumping everywhere and sometimes saliva all over your chin or theirs, please keep this in mind, only the chastest kisses are clean and neat
  6. really aggressive tongue is really an acquired taste not gonna lie (L O L)
  7. Avoid scientific clinical words like probe for the love of god
  8. you’ve ever listened to a kiss you know it sounds really gross with all the sucking and smacking breathy moans and hums are the way to go
  9. No one pays enough attention to the lips imho y’all are so damn focused on tongues

referenceforwriters:

by Chuck Palahniuk 
8 Words You Should Avoid When Writing

As always, Orwell’s final rule applies: “Break any of these rules before saying anything barbarous.” There are instances where each of these words fills a valuable role. However, especially among inexperienced writers, these words are frequently molested and almost always gum up the works.

1. “Suddenly”

“Sudden” means quickly and without warning, but using the word “suddenly” both slows down the action and warns your reader. Do you know what’s more effective for creating the sense of the sudden? Just saying what happens.

I pay attention to every motion, every movement, my eyes locked on them.
Suddenly, The gun goes off.

When using “suddenly,” you communicate through the narrator that the action seemed sudden. By jumping directly into the action, you allow the reader to experience that suddenness first hand. “Suddenly” also suffers from being nondescript, failing to communicate the nature of the action itself; providing no sensory experience or concrete fact to hold on to. Just … suddenly.

Feel free to employ “suddenly” in situations where the suddenness is not apparent in the action itself. For example, in “Suddenly, I don’t hate you anymore,” the “suddenly” substantially changes the way we think about the shift in emotional calibration.

2. “Then”

Read More

notbecauseofvictories:

A (not at all comprehensive) guide to the portrayals of angels, from Biblical to comedic, and how to research your friendly terrifying representations of divinity. Please note, I cannot vouch for the quality or reliability of all these sources, this is meant to simply be a compilation.

ORIGINAL SOURCES

FICTION

  • his dark materials trilogy (philip pullman)
  • good omens (terry pratchett and neil gaiman)
  • a wind in the door (madeleine l’engle)
  • the vintner’s luck (elizabeth knox)
  • the glory days (isobelle carmody)
  • daughter of smoke and bone (laini taylor)
  • the space trilogy (cs lewis)
  • angelology (danielle trussoni)
  • skellig (david almond)
  • angel fire series (andrew greely)

MOVIES AND OTHER MEDIA

  • wings of desire (1987)
  • touched by an angel (1994-2003)
  • the prophecy (1995)
  • michael (1996)
  • city of angels (1998)
  • dogma (1999)
  • constantine (2005)
  • supernatural (2005-present)
  • gabriel (2007)
  • legion (2010)

NONFICTION

  • angels in late ancient christianity (ellen muehlberger)
  • from gabriel to lucifer: a cultural history of angels (valery rees)
  • heaven and its wonders and hell from things heard and seen (emanuel swedenborg)

[many thanks to my followers who contributed and this post by dottewa, which helped point me in the right direction when it came to crowley and thelemite literature]

worddocs:

Writers, when penning scenes in which two or more characters are of the same gender, often encounter the problem of how to distinguish one person from the other. If everyone is a “she” or a “he,” how is the audience to know which character is doing or saying what and when?

As I’ve often noticed in slash fanfic, writers have the tendency to twist their prose into knots, trying to accomplish this in a “creative” fashion. If I had a nickel for every time Tony Stark was referred to as “the billionaire,” or “the resident genius” in fanfic, I’d be sipping Mai Tais off the coast of Florida instead of running this blog. “But Dr. E,” you might say, “if I don’t use descriptors, how will my readers ever understand who’s doing what in my story?”

Well, here are a few tips that may help you:

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referenceforwriters:

lokishorns:

the-fandoms-are-cool:

a massively extended version of ruthlesscalculus’ post

General Tips

Character Development

Female Characters

Male Characters

Tips for Specific Characters

Dialogue

Point of View

Plot, Conflict, Structure and Outline

Setting & Worldbuilding

Creativity Boosters* denotes prompts

Revision & Grammar

Tools & Software

Specific Help

I made a very small noise to express a very large amount of happiness.

PLEASE, DON’T EVER DELETE THIS.