pica-scribit:

fandomsandfeminism:

apothecary-initiate:

dearnonacepeople:

Silly
Foolish
Absentminded
Confused
Dazed
Befuddled

Nonplussed
Inane
Thoughtless
Ignorant
Perplexed
Careless
Incompetent
Asinine

Come on, you know you want to use “befuddled” more.

Asinine and ignorant are ones I find particularly useful.

Ridiculous and outrageous also work well. 

  • absurd
  • nonsensical
  • bizarre
  • irrational
  • preposterous
  • farcical
  • risible
  • laughable
  • peculiar
  • eccentric
  • unorthodox

randomactsofdouchebaggery:

anipendragon:

jpbrammer:

George R. R. Martin everyone.

My favourite thing about this gifset is that George R. R. Martin acknowledges both of these methods without insulting or dismissing the other. He is a fantastic writer and I know that some other fantastic writers swear by their methods and discount the others, which can be really disheartening as a young writer. Hearing him describe both of these methods without dismissing the other makes me very, very happy, as I am very much an architect and I always get so sad when every writer I look up to is like “NO PLANNING. PLANNING BAD. WRITERS DONT PLAN.”

So thank you, Mr. Martin.

Mimsy is an architect. I am a gardener. I like this comparison.

maggie-stiefvater:

Novelist error messages.

spookyjoel:

HEY WRITER FRIENDS

there’s this amazing site called realtimeboardwhich is like a whiteboard where you can plan and draw webs and family trees and timelines and all that sort of stuff. you can also insert videos, documents, photos, and lots of other things. you can put notes and post-its and, best of all, you can invite other people to be on the board with you and edit together!! 

this is really really awesome and a great tool for novel planning, so if you’re doing nanowrimo…. this could be good for you!!

hermajestyhelps:

ffisdangerous:

One of the largest folly’s fanfiction authors often fall victim to is writing something they don’t actually know anything about. This isn’t to say writers should only write what they know or expand their horizons, but sometimes, if the writing isn’t believable, it can take the readers out of the story.

Read More

thewritingcafe:

Words and References:

Plot & Structure:

Subplots:

World Building:

Characters:

Dialogue:
Point of View:
Genre:
Names:
History:

Query Letters:

Editing and Revision:

Software:

Prompts:

writeworld:

Note: Some of these exercises will produce bad writing. That’s fine. These are not guidelines of things you should do to every (or any) piece you write. They are just nifty little activities to try.

Writers fall into habits. We use the same words over and over, or repeat the same techniques. These exercises are designed to push the you to strain your fiction, style, and vocabulary so that the habits die. Feel free to adjust to exercises to fit your needs, but don’t feel free to cheat. Some of these are hard, and they’re hard for a reason.

  • Describe a barn from the perspective of a man whose son has just died in a war. Do not mention the son, the war, death, or the man. (From John Gardner’s The Art of Fiction).
  • Tell the following story in ten different styles: A man walks into a coffee shop, orders a drink, spills it, and the clerk offers to get him another. You might try a tall tale, a poem, a fairytale, a noir mystery, a satire, a news article, and a bunch of other kinds of writing. You might just use ten different voices.
  • Double the length of a short story without adding any new scenes.
  • Cut a short story in half without eliminating any scenes.
  • Write a story with no adverbs in narration (characters may speak however they want). Replace every would-be adverb with a more descriptive verb. For example, turn “searched clumsily” into “rummaged.”
  • Write a story with no sentence longer than ten words. Keep syntax as varied as possible.
  • Write a story in which no two consecutive sentence describe any object, person, or place visually. Keep description vivid.
  • Write a story in which no backstory is explicitly stated by the narrator. Instead, imply all of it with details and dialogue. Backstory should be as clear as is necessary.
  • Rewrite every sentence of an existing story while maintaining the story’s feel, plot, and all that jazz.
  • Write a prequel that covers the events that took place immediately prior to the beginning of your story.
  • Find a newspaper article you find interesting and make a story out of it. Feel free to make assumptions, guesses, and fabrications.
  • Write five unconnected scenes (300 words maximum each) involving only two characters. After reading all five, the reader should have a firm understanding of the two characters and their relationship.
  • Write five versions of a disagreement between two characters. The disagreement should be largely the same in nature (maybe not in subject matter) but the setting (in terms of location and time) should be radically different for each one.
  • Write out a conversation you had yesterday as if it was a scene.
  • Eavesdrop on a conversation (try not to be too creepy). Write a conversation between the same two people but about a different topic.
  • Walk down a main street (or any street with a number of storefronts). Write down the five most interesting details about each building.
  • Revise a story such that the verb “to be” (and all of its conjugations) are eliminated from the narration.
  • Reread a story you wrote. Find the first (non-trivial) decision that a character makes. Have the character make a different decisions and write out the rest of the story from there.
  • Do a rewrite per character. On your first pass, only edit your narration (and your narrator’s dialogue, if applicable). On the next pass, only edit the second most important character’s dialogue. Continue until you run out of characters.

Let us know if you have any questions about these prompts or writing in general. If you want us to read something you wrote, tag it with writeworld, and we’ll be sure to check it out!

- O

referenceforwriters:

superblys:

jamessblond:

As someone who writes fics with action sequences and the use of guns, I thought maybe it would be helpful to pass some things on. Even though I’ve done lots of research and talked with family members (I live in WI which is a big hunting state and we have lots of guns), I still catch myself making mistakes with specific terms and their usage. Reading more James Bond fics lately, I catch others making mistakes also. So here is a little guide to help writers. 

  • A ‘clip’ is something that stores multiple rounds of ammunition. It is not what you would insert into a handgun to load it. Clips make loading into a magazine easier because they simply store the rounds. It helps with organization. 
  • A magazine is what feeds the ammunition into the barrel. Magazines vary in capacity. They, unlike clips, are spring-loaded, which helps the ammunition move in the gun. So, when you want a character to reload, they would use a pre-loaded magazine, NOT a clip. 
  • A silencer is really a suppressor. ‘Silencer’ is a word that’s used in media to refer to a suppressor that doesn’t exist in real life. Guns that are suppressed will still be loud and have a sound. This is because compressed air will still leak out of the end of the barrel, you can’t silence a bullet moving extremely fast through the air, and you can’t silence the mechanical parts on a gun. There will be a noise, but it just won’t be as loud or more importantly, alert people in a nearby area that a gun was just fired. SO suppressor is a much more accurate term technically speaking. 
  • There are different kinds of suppressors. One important kind suppresses the muzzle flash. It’s likely a sniper would use this more than they would want to use a sound suppressor, as the muzzle flash more easily enables you to be spotted when you don’t want to be. These are simply referred to as flash suppressors. 
  • After a handgun runs out of ammunition, the slide will lock back into place and you will know that it is out. There is no ‘click’ signifying an empty weapon that is so dramatized in movies and tv. A more likely scenario that would prevent a gun from firing would be a jam. Or programming the gun to recognize certain palm prints. 
  • A great place for writers, in particular fanfic writers, who want information on guns is imfdb. You can find out what guns are used in movies and shows, and what guns characters use. You can also just search for guns. 
  • If you want to get really specific, check out YouTube. There are users who will post reviews of guns on there, which can be really helpful if you want to see how a particular gun looks or how to shoot it. 

So yeah! Here are just a few basic tips if you want to write a fic where a character uses guns. 

I see you’ve got terminology down, now let’s go for a little technicality. 

  • Firstly, let me explain the “kick” of a gun. A “kick” is the feeling of the round leaving the barrel of the gun.  Every gun has one, the impact of the “kick” depends on the caliber, make and type of gun.
  • Another way to describe a kick is the feeling of the gun exploding in your hand.  Of course, the gun doesn’t literally explode, but it is a great burst of power that only lasts a second.
  • For example: A .45 mm hand gun with have a bigger “kick” than a .22 mm hand gun.  If someone is a first time shooter and does not know what to expect, they would most likely drop the gun after firing it once due to the shock of the force being released in their hands.
  • Sniper Rifles are incredibly accurate and mainly used for long distance hits.  They are also ridiculously heavy, as most rifles are, therefore, be prepared for a gigantic “kick”.
  • Sniper Rifles are special because they are so powerful (they need to be in order to have the same impact a .45mm would 10 feet away compared to the shell half a mile away), thus a stand is required to use it.
  • No matter what you will always need a firm holding to place the rifle (besides your grip) in order to prevent the gun from falling over after it is discharged and injury to your person. There are ridiculously powerful guns.
  • General rule of thumb is that you place the butt of the rifle next to your shoulder, just below your clavicle.  I’m not very good at describing this position, so I suggest looking it up.  DO NOT place it anywhere in the armpit area, dislocation is likely to occur.  Depending on how prepare you are and the type of rifle being used (excluding snipers), bruising might occur.
  • You will be standing if you use a normal rifle, so make sure you are steady and prepared for the “kick” that follows after.
  • If you are using a sniper rifle, you will be on the ground or leaning against something.  Some people have special rests for their snipers specifically to fire the gun from any spot.  Point is: do not stand alone while firing this.  You will get hurt.

Other helpful tips:

  • Earplugs or Ear Protectors are your friends.
  • Safety glasses are also your friend to avoid shells from flying into your face.
  • Keep the safety on until you are ready to fire the gun.
  • If you are NOT currently firing the gun, whether it is loaded or unloaded, and it is in your hand, ALWAYS hold it with two hands and point it at the ground at your feet. DO NOT get distracted.
  • NEVER joke around with someone by pointing the gun at them.  EVEN IF YOU ARE ABSOLUTELY POSITIVE THAT THE GUN IS TOTALLY UNLOADED, MAGAZINE OUT OF PLACE, DO NOT RISK IT.  It is not funny.  Even if the gun is on safety, do NOT do it.  You could accidently switch off the safety or the gun could misfire despite the safety.
  • Lastly TWO HANDS.  One on the side near the trigger and the other underneath.  This is not the movies, do not attempt to fire a gun with one hand.  Not only will your aim be incredibly off if you are inexperienced but you will also endanger yourself as well as others if you lose control of it.
  • Guns can be scary and if you ever feel nervous or uncomfortable about firing one, do not do it. 

thatfrenchhelper:

image

A man’s true char­ac­ter comes out when he’s drunk.” -Char­lie Chaplin

Writing or RPing a drunk character can be quite a difficult thing, especially if you’ve never been drunk yourself. I gathered these few links in case you’d need help with this -just like I did-. Hopefully this will help some of you, and you’ll be able to make your character drink, and keep it realistic!

Oh, and my little piece of advice on this: don’t try to slur the words! Just say ‘he was slurring his words’ or something to that effect - otherwise it becomes difficult to read and understand for the reader. Hopefully all of this helped some of you dearest writers!